About Abhinavagupta
Abhinavagupta (950 – 1020 AD) was one of India's greatest philosophers, mystics and aestheticians. He was also considered an important musician, poet, dramatist, exegete, theologian, and logician a polymathic personality who exercised strong influences on Indian culture. Abhinavagupta was strongly influenced by Buddhist logic.
He was born in the Valley of Kashmir in a family of scholars and mystics and studied all the schools of philosophy and art of his time under the guidance of as many as fifteen (or more) teachers and gurus. In his long life he completed over 35 works, the largest and most famous of which is Tantrāloka, an encyclopedic treatise on all the philosophical and practical aspects of Trika and Kaula (known today as Kashmir Shaivism). Another one of his very important contributions was in the field of philosophy of aesthetics with his famous Abhinavabhāratī commentary of Nāṭyaśāstra of Bharata Muni.
Life
"Abhinavagupta" was not his real name, rather a title he earned from his master, carrying a meaning of "competence and authoritativeness". In his analysis, Jayaratha (1150-1200 AD) — who was Abhinavagupta's most important commentator — also reveals three more meanings: "being ever vigilant", "being present everywhere" and "protected by praises". Raniero Gnoli, the only Sanskrit scholar who completed a translation of Tantrāloka in a European language, mentions that "Abhinava" also means "new", as a reference to the ever-new creative force of his mystical experience.
From Jayaratha, we learn that Abhinavagupta was in possession of all the six qualities required for the recipients of the tremendous level of śaktipāta, as described in the sacred texts an unflinching faith in God, realization of mantras, control over objective principles (referring to the 36 tattvas), successful conclusion of all the activities undertaken, poetic creativity and spontaneous knowledge of all disciplines.
Abhinavagupta's creation is well equilibrated between the branches of the triad knowledge, action; his works also include devotional songs, academical/philosophical works and works describing ritual/yogic practices.
As an author he is considered a systematizer of the philosophical thought. He reconstructed, rationalized and orchestrated the philosophical knowledge into a more coherent form, assessing all the available sources of his time, not unlike a modern scientific researcher of Indology.
Various contemporary scholars have characterized Abhinavagupta as a "brilliant scholar and saint", "the pinnacle of the development of Kasmir Śaivism" and "in possession of yogic realization".
Abhinavagupta (950 – 1020 AD) was one of India's greatest philosophers, mystics and aestheticians. He was also considered an important musician, poet, dramatist, exegete, theologian, and logician a polymathic personality who exercised strong influences on Indian culture. Abhinavagupta was strongly influenced by Buddhist logic.
He was born in the Valley of Kashmir in a family of scholars and mystics and studied all the schools of philosophy and art of his time under the guidance of as many as fifteen (or more) teachers and gurus. In his long life he completed over 35 works, the largest and most famous of which is Tantrāloka, an encyclopedic treatise on all the philosophical and practical aspects of Trika and Kaula (known today as Kashmir Shaivism). Another one of his very important contributions was in the field of philosophy of aesthetics with his famous Abhinavabhāratī commentary of Nāṭyaśāstra of Bharata Muni.
Life
"Abhinavagupta" was not his real name, rather a title he earned from his master, carrying a meaning of "competence and authoritativeness". In his analysis, Jayaratha (1150-1200 AD) — who was Abhinavagupta's most important commentator — also reveals three more meanings: "being ever vigilant", "being present everywhere" and "protected by praises". Raniero Gnoli, the only Sanskrit scholar who completed a translation of Tantrāloka in a European language, mentions that "Abhinava" also means "new", as a reference to the ever-new creative force of his mystical experience.
From Jayaratha, we learn that Abhinavagupta was in possession of all the six qualities required for the recipients of the tremendous level of śaktipāta, as described in the sacred texts an unflinching faith in God, realization of mantras, control over objective principles (referring to the 36 tattvas), successful conclusion of all the activities undertaken, poetic creativity and spontaneous knowledge of all disciplines.
Abhinavagupta's creation is well equilibrated between the branches of the triad knowledge, action; his works also include devotional songs, academical/philosophical works and works describing ritual/yogic practices.
As an author he is considered a systematizer of the philosophical thought. He reconstructed, rationalized and orchestrated the philosophical knowledge into a more coherent form, assessing all the available sources of his time, not unlike a modern scientific researcher of Indology.
Various contemporary scholars have characterized Abhinavagupta as a "brilliant scholar and saint", "the pinnacle of the development of Kasmir Śaivism" and "in possession of yogic realization".
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